Kenneth Grant Typhonian Trilogies


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The Complete Typhonian Trilogies. 9 Volumes. All very good to near fine copies. 

The Magical Revival, Frederick Muller, 1972.
Aleister Crowley and the Hidden God, Frederick Muller, 1973.
Cults of the Shadow  Frederick Muller, 1975.
Nightside of Eden, Fredrick Muller, 1977.
Outside the Circles of Time, Frederick Muller, 1980.
Hecate's Fountain. Skoob Books, 1992.
Outer Gateways  Skoob Books, 1994. 
Beyond the Mauve Zone Starfire Publishing, 1999. 
The Ninth Arch, Starefire Publishing, 2002. 

'In 1972, Frederick Muller Limited published the first book in Grant's "Typhonian Trilogies" series, The Magical Revival, in which he discussed various events within the history of Western esotericism while also encouraging future interest in the subject. He followed this with a sequel published in 1973, Aleister Crowley and the Hidden God, in which he examined Crowley's  magical practices and the Tantra. This was followed in 1975 by Cults of the Shadow, which brought the first Typhonian Trilogy to an end with a discussion of the Left Hand Path in magic, making reference to both Crowley and Spare's work, as well as to Voodoo and Tantra. 

In 1977, Grant began the second Typhonian Trilogy with Nightside of Eden, in which he discussed some of his own personal magical ideas, outlining magical formulae with which to explore a dark, dense realm that he variously called 'Universe B' and 'the Tunnels of Set', conceived as a 'dark side' of the Qabalistic Tree of Life. Grant made connections between this realm and the extramundane deities of H. P. Lovecraft's horror fiction. The sequel appeared in 1980 as Outside the Circles of Time, and introduced Grant's thoughts on the relevance of Ufology and insectoid symbolism for occultism. This would prove to be the final Grant volume published by Muller, who would merge with Blond and Briggs in 1984, while the publishing rights to his works reverted to him the following year. His next book would not appear for another eleven years after Outside the Circles of Time.

Grant drew eclectically on a range of sources in devising his teachings. Although based in Thelema, Grant's Typhonian tradition has been described as "a bricolage of occultism, Neo-Vedanta, Hindu tantra, Western sexual magic, Surrealism, ufology and Lovecraftian gnosis". The historian of religion Manon Hedenborg White noted that "Grant's writings to not lend themselves easily to systematization". She added that he "deliberately employs cryptic or circuitous modes of argumentation", and lacks clear boundaries between fact and fiction.'

"In his body of work, Grant has created an unlikely mélange comprised of thematic threads that include both Eastern and Western esoteric traditions, in addition to consistent references to artistic and literary works infused with the aroma of the mysterious, fantastic, and uncanny, with a dominant place assigned to the fictional output of H. P. Lovecraft and the visionary creations of Austin O. Spare."– Gordan Djurdjevic